For Young Readers

I am an assistant at WIFYR this year and am excited to be working with Ann Cannon. She is a regular at the conference and I try to attend her afternoon sessions when I can. Ann writes at many levels in children’s literature. She’s done PB to YA. You can read her each Saturday in the Salt Lake Tribune and thus knows how to entertain adult readers as well.

 Carol Williams, again, has assembled a host of talented speakers and faculty. Cheri Pray Earl, Sharlee Glenn, Steve Bjorkman, J Scott Savage, Kris Chandler, Martine Leavitt, Matt Kirby, and Mette Ivie Harrison all join Ann and Carol in running workshops. Something new this year, there are mini-workshops that participants can sign up for. Each morning focuses on a different theme, from blogging to screen writing and short stories to rhythm, rhyme, and riddle. Elana Johnson, Alison Randall, Krysten Crow, and Marty Nabhan are running these sessions.

Also in attendance will be an editor and two agents. Carol has pulled in Alyson Heller from Aladdin Books. The agents include Ammi-Joan Paquette of the Erin Murphy Literary Agency and Steven Fraser from the Jennifer De Chiara Literary Agency.

The Utah State Poet Laureate, Lance Larson will be the keynote speaker in Thursday afternoon.

The conference is a great place to grow your craft. I have yet to do a LTUE and have heard high praise for LDStorymakers, but the For Young Readers conference is refreshing. Any effort to cultivate your writing skill is satisfying. Carol’s conference is the place to do it.

SUPERSNOUTS: Illustrated by Steve Bjorkman

By Eric Birkin
                SUPERSNOUTS is a whimsical picture book illustrated by Steve Bjorkman featuring superhero pigs Hamlet, Snoutbuster, and Kernel Hog. Many of Bjorkman’s earlier works are centered around pen and ink. SUPERSNOUTS is Bjorkman’s first project done entirely in pen and brush. This bold new style displays the critical and practiced eye of a quality illustrator. Bjorkman is a master of creating dialogue and action without using written language.
               Steve Bjorkman will lead the three-day illustration workshop at WIFYR this year. Anybody desiring to learn the skills involved in visual storytelling will benefit from Bjorkman’s knowledge and experience. Not only are his illustrations colorful, expressive and unique, they are, in simple terms, incredibly effective at telling a story without words.

Spread the WIFYR word, Win a Page Critique

There are still a few more days to enter the contest. Share the WIFYR Word! The person who gets the word out to the most places/people will win a page critique from Edgar Award-winning author Alane Ferguson. I can tell you from experience that her critiques are spot-on. She knows what she’s talking about, and she’s super nice as well.

Here’s how it works: Talk about what you love about the WIFYR conference in every way you can. Blog, post, tweet, email, tell friends. Suggestions: Let people know what’s unique about WIFYR: it’s the only Utah conference to offer five-day, small group workshops featuring hands-on instruction and critique. Make sure everyone knows about the deadline extension for the WIFYR writing contest with its award of $1000 plus potential publication, the a la carte mini workshops, remind people about the early bird registration extension, the free Keynote speech with Utah’s Poet Laureate Lance Larsen, the discount for SCBWI members, etc. Limit of two posts per day on Facebook and Twitter. When tweeting, please use the hashtag #wifyr2013. You will also get points for liking the WIFYR Facebook page, signing up for the WIFYR email newsletter list, or making comments on the blog.

Us the comments box below to tell us how many times you shared the WIFYR word, and please include a list of places you posted, including blog links, and remember to use #wifyr2013 when you tweet.

Permission to Write: How J. Scott Savage Finally Wrote Farworld

In February I went to a launch party for J. Scott Savage’s book Air Keep, the third in his Farworld series. The Provo Library put it on, and it was a great event (think: face painting, sugar cookies, cardboard cutouts). But before all the festivities took place, J. Scott Savage took a few minutes to talk about writing the Farworld series. Farworld 3 Cover

He started off by telling us that he’d had the idea for a long time. It was an idea that wouldn’t let him go, though he knew it would be different than anything he’d written before. Savage considered himself a writer of adult books, and this new idea was about a boy in a wheelchair. It was also about magic—one of Savage’s favorite genres to read, but not one he’d ever tried to write.

He put it out of his head and went on with his other work, but the idea kept popping up again and again.

Finally, he’d had enough. He decided to prove to himself that he couldn’t write a YA Fantasy.

He was traveling for work, staying in a hotel room, and thinking about Farworld again. And even though he wasn’t convinced it was something he could pull off, he pulled out his laptop, opened a blank document, and began to type.

He wrote for an hour at first, then two, then three. Then, in what seemed like a second, he sat back and saw the first bits of daylight peeking through the windows. He’d not only written into the night, he’d written through it.

Taking Savage’s story to heart, this week I wanted to prove something to myself: I’m not a picture book writer. Over the years I’ve had lots of ideas for picture books. Some of them good, some of them embarrassing and awful. And, like Savage, I never gave myself permission to take any of these ideas seriously. I write novels, not picture books.

But this week I sat down with my idea and an empty notebook. I had kids dumping legos all over each other and pulling fur off the cat, but amid the chaos I set my pen down and wrote through what was rattling around in my head. I wrote and wrote and wrote, and I poured out three bowls of applesauce (and wiped applesauce off the floor and the couch and the wall, why was it on the wall?), and then I wrote some more.

And after an hour I’d filled up five pages, front and back, of notes and prose. It wasn’t Where the Wild Things Are, but it was something. Some of it was even funny. I revised and re-arranged and tossed some pages and wrote new ones. As I did, I thought about other ideas that, with my permission, I’ll also write down.  I didn’t fail as miserably as I thought I would, and though the manuscript is far from perfect, I’m surprised with how the wiggly idea grew into a real story.

Perhaps you’re like me, telling yourself that you can’t write picture books or novels or The Great American Dystopian Romance (is that a thing?). Maybe you have an idea wiggling in your head, an idea that’s been dancing like mad around in your brain for ages. Or maybe your idea is more of a wall-flower: quiet, doing a half-shimmy in the corner. Either way, it won’t stop wiggling until you give yourself permission to write it down.

If you’re interested in more stories from published authors, check out our morning workshops. J. Scott Savage is teaching our middle grade class this year, and promises to bring his best, wiggliest ideas with him. Earlybird registration ends in three days (gasp!) so hurry on over and sign up.

Also, don’t forget to check out our Spread the Word Contest, going on right now at the blog. Click here for details.

Book Review: Keturah and Lord Death by Martine Leavitt

The first time I met Martine Leavitt was at a workshop several years ago. I remember her holding up her book, Keturah and Lord Death, and saying something to the effect: “The first few drafts I hid who Keturah met in the woods. I wanted it to be a big reveal. It was Death! It wasn’t working, and I finally came to the question: why keep it secret that it’s Lord Death?”. A common saying in her workshop became “Why keep Death a secret?” in reference to stories where a piece of information was hidden.

I was intrigued to read the book. I wanted to see how the story would progress when I already knew the big secret. By the time I finished the book, I knew that she’d made the right decision. Keturah’s journey after she meets Death felt much more rewarding than the fact of who she socialized with. I loved the journey Keturah takes, what she learns, and how she slowly, and reluctantly, learns who Lord Death is.

Death isn’t your typical skeleton in black robes carrying a razor-sharp scythe, or a fiery demon come to drag the souls of men away, or even an angel wielding the sword of life and death. I loved Martine’s take on it, and loved how very human, yet inhuman, Death was. Many of the concepts made me think about life and death differently, and I enjoyed how it wove me further into the story. Take this journey with Keturah. I highly recommend it!

Interview: Mette Ivie Harrison

biometteharrison

Mette Ivie Harrison met an editor at Writing and Illustrating for Young Readers in 1999. She sold her first fantasy, Mirra Mirror, and has published many books since. Her workshop will be a special treat for those who are ready to workshop an entire novel.

Learn more about Mette in this interview.

Q: Mette, what is your favorite line that you have ever written or read that someone else wrote and why?

A: “If I loved you less, I could talk about it more.” From Emma by Jane Austen. I love Jane Austen, and I love this simple declaration of love and the expression of personality behind it. Romance isn’t count by numbers. It only works between two very specific people, who love each other for specific, quirky, inexplicable reasons which the romance must then explain and make the reader believe. When I write romance, I am convinced that I have to get the reader to fall in love with both characters, and then they will believe that they will fall in love with each other.

Q: If you weren’t a writer, what would you do?

A: When depressed, I sometimes consider a list of jobs I might be qualified to do rather than writer. They include: professional crafter, English/German teacher, and personal trainer. Also possibly cheap consultant, reality TV show star (I already make my children laugh hysterically) and teen parenting coach.

Q: What is the best advice you have ever received for this business we are in?

A: Write the book you wish you could read, but no one has written yet.

Q: What does your typical day look like?

A: Wake up at 6, make breakfast for kids, start writing at 7 (get in 3-4k words), workout from 10-12, then lunch, back to work from 1-4(emails, social media, essays, editing, and/or write another 1-2k on separate project). Then errands, shopping, food prep, homeworking, etc. Evenings and weekends are family time.

Learn more about Mette, view his WIFYR bio and class information.

http://www.wifyr.com/biometteivieharrison.php

 

Psst . . . Secret Instructions Every Girl Should Know by Cherie Earl and Rick Walton, an American Girl book.

by Amy White
I must say that this was a very difficult book to review, only because my 10 year old daughter snagged it up as soon as it arrived, carting it off to school and devouring it with her friends. It took weeks to get it back. As a result, I now have a host of 5th graders, not only making plans on how to get themselves into an American Girl magazine, but also exchanging a plethora of invisible ink notes, interpreting each others fingerprints, and conversing fluently in Swine Tongue, ie: Pig Latin. Tip: I do suggest every adult in households with copies of Psst . . . Secret Instructions Every Girl Should Know, brush up on their own foreign language expertise.

Filled with a wide range of secrets and things I wish I had known as a young girl, this book is perfect for the Tweenish set. From how to find a lost pet, to eliminating brain freeze, and even how to keep your ponytail holder in place in thin or slick hair. With ninety tips, hints, and tricks this is one book you will find the girls referring back to time and again. And if you find yourself, however secretly–sneaking a peek–well, I won’t tell, although your fluency in Pig Latin and your ability to read invisible ink just might be telling enough.