“Cold, Hard Readings” Critiques

Don’t forget to enter your first two pages for a chance to have Cheri Earl read and critique your first page in her afternoon lecture. It’s an opportunity to be recognized, something akin to being discovered from the slush pile (albeit a smaller one).

For each “Cold, Hard Readings” breakout session, Cheri will choose up to five, first-two novel pages written by conference participants (chosen randomly and in advance) and critique/discuss-in front of the group-the detailed strengths and weaknesses of each. The experience in Cheri’s breakout session will be something like coming out of a public bathroom with your dress tucked up into your nylons. . .lots of fun. A group discussion will follow the critiques.

Entries are to be submitted to Amy White’s at saltzworks@gmail.com by June 14th at the latest.

Book Review: Ammi-Joan Paquette

I discovered a fabulous mix of reality and fantasy in Ammi-Joan Paquette’s Tiptoe Guides. The photography and illustrations combine to create a child’s adventure exploring what might be hiding in the water or flowers they see around them.

The Tiptoe Guide to Tracking Mermaids leads the reader along the shore, allowing them to discover tide pools where baby mermaids love to splash and treasures that might catch a mermaid’s attention. The reader follows the mermaids as they feast, chase dolphins and play hide-and-seek in the coral reef with their seahorse buddies. A glimpse of the fantasy world of a mermaid in the real places we see along the shore make this a book young readers will choose more than once.

The Tiptoe Guide to Tracking Fairies is a similar adventure as the reader looks for clues in everyday places where fairies might be. In the tulips, under the waterfall and blossoms on a tree are all places where the reader may find some fairy magic. Bareback chipmunk riding and hide-and-seek provide some fairy entertainment.

Both books are a beautiful look from our world into a fantasy world that will attract young, adventurous readers.

Ammi-Joan is multi-talented. Not only is she the author of these and other books, but she is also a literary agent. We are excited to welcome her as an agent working with the conference next week.

Author Interview: Kris Chandler

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Kris Chandler’s first stories were told for cookies. When she was five years old, she was paid in cookies to tell stories to a toddler in her neighborhood. Fortunately, she didn’t stop there. We are delighted that she is teaching at WIFYR this June. Here’s more about Kristen.

Q: When did you know books for kids was the place for you?

A: I started out writing adult novels but teenagers kept taking over my books. Eventually I figured out my characters were trying to tell me something. Also, my first year of teaching I listened to To Kill A Mocking Bird on tape while I was commuting. I had resisted reading it in high school for some reason and just never gotten around to reading it until then. But hearing Scout’s voice in the solitude of my crummy car hypnotized me. I was late for class because I was sitting in the parking lot with my radio on. I realized then that voice was the whole shebang to me.

Q: What is your favorite line that you have ever written or read that someone else wrote and why?

A: YIKES! That’s so much pressure.

“So we beat on, boats against the current, borne back ceaselessly into the past.”

I’m not alone in this of course. But yeah… I think it was Fitzgerald’s favorite line too and it ruined him.

When you are immersed in a book, what makes you know that this is the book you need to write?

I forget I’m writing.

Q: How did you get started in this industry?

A: My neighbor gave me cookies to tell stories to her daughter.

Q: If you weren’t a writer, what would you do?

A: Truthfully? I love teaching! But I was really close to going into law. For ten years I said, “The LSAT’s in November.” Luckily I worked in a law firm to get through grad school so I knew that lawyers made more money than writers and teachers but they didn’t seem too happy about it.

Q: What is your favorite city and why?

A: I try to love wherever I am. But I’m a hardcore travel junkie. I wish I had a place in McLeod, Montana. Maybe because I’ve never been there.

Q: How often do you write a piece before it’s where you think it should be so you can show it to someone else?

A: It totally depends on how good it is and how needy I am.

Q: What is the best advice you have ever received for this business we are in?

A: “Do something else if you can.” “Don’t quit your day job.” Totally blew off both suggestions.

Q: What is your best writing exercise to help someone get stronger as a writer?

A: Live and then tell the truth about it.

Q: What does your typical day look like?

A: It looks a lot like my computer. But I get up early and write before my kids get up and then write when they go to school and then do my other writing job at night when they settle down.

Q: What happens when the writing just isn’t coming out as you think it should?

A: I go running or take my dog for walk. Sometimes I whine. I read other writers. Then I work more.

Learn more about Kris, view her WIFYR bio and class information.

http://www.wifyr.com/biokrischandler.php

Author Interview: Cheri Pray Earl

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It’s a pleasure to welcome Cheri Pray Earl to WIFYR again. She has been involved with the conference for many years. Those attending her morning workshop will rescue stalled-out novel manuscripts and paddle through the murky middles. It’s sure to be a great experience. Now on to the interview.

Q: What is your favorite paragraph that you have ever written or read that someone else wrote and why?

A: “Neighbors bring food with death and flowers with sickness and little things in between.  Boo was our neighbor.  He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives.  But neighbors give in return.  We never put back into the tree what we took out of it: we had given him nothing, and it made me sad.”—Scout, To Kill a Mockingbird

I can’t say I have a favorite line/paragraph really, but this comes close. It’s full of voice, rhythm, emotion, nostalgia, meaning. It brings up the emotion of the whole book for me.

Q: If you weren’t a writer, what would you do?

A: Teach writing, which is what I do that keeps me from writing. I love irony . . .

Q: How often do you write a piece before it’s where you think it should be so you can show it to someone else?

A: Do you mean how many times do I revise a piece before it’s good enough to show someone? I hope that’s what you mean because that’s the question I’m answering. I revise my first few (two to three) chapters maybe a dozen times before I show them to anyone. I might show bits and pieces earlier than that, but not the whole. The narrative voice of a novel is hard for me to nail down, so I keep rewriting the beginning until I get that part right. Then I can move on with the story.

Q: What is your best writing exercise to help someone get stronger as a writer?

A:  My favorite exercise is Routine, Disruption, and Drama from The Portable MFA. It goes like this:

Frank O’Connor says (in his book, The Lonely Voice) that a story requires three elements: exposition, development, and drama. You know that your beginning plot portion is strong if you can summarize your story in three lines, with each line relating to one of these elements. For example:

  • Exposition: John Fortescue was a solicitor in the little town of X. (Routine)
  • Development: One day, Mrs. Fortescue told him she was leaving him for another man. (Disruption of routine)
  • Drama: “You’ll do nothing of the kind,” he said. (What the protagonist will struggle for, in this case, his marriage.)

Another favorite is a writing exercise that sort of mimics what Hemingway (and Steinbeck, too) does with setting up a scene. This one works for me and for my students because we all need to work on creating richer settings. Here it is:

Write six descriptive sentences without a character (second three sentences elaborate on the first three). Then have the character(s) enter the setting you have created; write at least 4 lines of dialogue. No more than 500 words total.

Learn more about Cheri, view her WIFYR bio and class information.

http://www.wifyr.com/biocheriprayearl.php

SUPERSNOUTS: Illustrated by Steve Bjorkman

By Eric Birkin
                SUPERSNOUTS is a whimsical picture book illustrated by Steve Bjorkman featuring superhero pigs Hamlet, Snoutbuster, and Kernel Hog. Many of Bjorkman’s earlier works are centered around pen and ink. SUPERSNOUTS is Bjorkman’s first project done entirely in pen and brush. This bold new style displays the critical and practiced eye of a quality illustrator. Bjorkman is a master of creating dialogue and action without using written language.
               Steve Bjorkman will lead the three-day illustration workshop at WIFYR this year. Anybody desiring to learn the skills involved in visual storytelling will benefit from Bjorkman’s knowledge and experience. Not only are his illustrations colorful, expressive and unique, they are, in simple terms, incredibly effective at telling a story without words.

Author Interview: Mette Ivie Harrison

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Mette Ivie Harrison met an editor at Writing and Illustrating for Young Readers in 1999. She sold her first fantasy, Mirra Mirror, and has published many books since. Her workshop will be a special treat for those who are ready to workshop an entire novel.

Learn more about Mette in this interview.

Q: Mette, what is your favorite line that you have ever written or read that someone else wrote and why?

A: “If I loved you less, I could talk about it more.” From Emma by Jane Austen. I love Jane Austen, and I love this simple declaration of love and the expression of personality behind it. Romance isn’t count by numbers. It only works between two very specific people, who love each other for specific, quirky, inexplicable reasons which the romance must then explain and make the reader believe. When I write romance, I am convinced that I have to get the reader to fall in love with both characters, and then they will believe that they will fall in love with each other.

Q: If you weren’t a writer, what would you do?

A: When depressed, I sometimes consider a list of jobs I might be qualified to do rather than writer. They include: professional crafter, English/German teacher, and personal trainer. Also possibly cheap consultant, reality TV show star (I already make my children laugh hysterically) and teen parenting coach.

Q: What is the best advice you have ever received for this business we are in?

A: Write the book you wish you could read, but no one has written yet.

Q: What does your typical day look like?

A: Wake up at 6, make breakfast for kids, start writing at 7 (get in 3-4k words), workout from 10-12, then lunch, back to work from 1-4(emails, social media, essays, editing, and/or write another 1-2k on separate project). Then errands, shopping, food prep, homeworking, etc. Evenings and weekends are family time.

Learn more about Mette, view her WIFYR bio and class information.

http://www.wifyr.com/biometteivieharrison.php

 

Psst . . . Secret Instructions Every Girl Should Know by Cherie Earl and Rick Walton, an American Girl book.

by Amy White
I must say that this was a very difficult book to review, only because my 10 year old daughter snagged it up as soon as it arrived, carting it off to school and devouring it with her friends. It took weeks to get it back. As a result, I now have a host of 5th graders, not only making plans on how to get themselves into an American Girl magazine, but also exchanging a plethora of invisible ink notes, interpreting each others fingerprints, and conversing fluently in Swine Tongue, ie: Pig Latin. Tip: I do suggest every adult in households with copies of Psst . . . Secret Instructions Every Girl Should Know, brush up on their own foreign language expertise.

Filled with a wide range of secrets and things I wish I had known as a young girl, this book is perfect for the Tweenish set. From how to find a lost pet, to eliminating brain freeze, and even how to keep your ponytail holder in place in thin or slick hair. With ninety tips, hints, and tricks this is one book you will find the girls referring back to time and again. And if you find yourself, however secretly–sneaking a peek–well, I won’t tell, although your fluency in Pig Latin and your ability to read invisible ink just might be telling enough.